Vol. 14 No. 29 (2022): Literature and other arts

View Vol. 14 No. 29 (2022): Literature and other arts

Guest editors: Livia Apa (CESAc- Università degli Studi di Napoli L’Orientale”) and Júlio Machado (Universidade Federal Fluminense)

Second semester.: Jul.-Dec. 2022.
Issue date: Oct. 31, 2022.

DOI: https://doi.org/10.22409/abriluff.v14i29
Published: 2022-10-31

Introduction

  • Literature and other arts

    Livia Apa, Júlio Machado
    09-12
    DOI: https://doi.org/10.22409/abriluff.v14i29.56228

Articles

  • The Indian ocean, a mirror of affection and memories in Lara Sousa’s filmography: reflections on cinema and literature in Mozambique

    Carmen Lucia Tindó Ribeiro Secco
    15-29
    DOI: https://doi.org/10.22409/abriluff.v14i29.54843

  • Literature and cinema: cinemarographic translation in a poem by Paula Tavares

    Luana Estefany da Silva Leite, Raíra Costa Maia de Vasconcelos
    31-42
    DOI: https://doi.org/10.22409/abriluff.v14i29.53186

  • The pictorial poetry of Virgílio de Lemos & his heteronyms: symbolist and impressionist echos in vanguard traces

    Luciana Brandão Leal
    43-56
    DOI: https://doi.org/10.22409/abriluff.v14i29.52670

  • Senses of marginality: a spatial reading of Marginais e outros contos from the work of Hélio Oiticica

    Renata Cristine Gomes de Souza
    57-64
    DOI: https://doi.org/10.22409/abriluff.v14i29.54922

  • Goya’s Cry in Portuguese poets: Sena, Amaral, Jonas and Braga

    Roberto Bezerra de Menezes
    65-78
    DOI: https://doi.org/10.22409/abriluff.v14i29.54671

  • Poetry “as if”: intermidialities in Patrícia Lino

    Paulo Alberto da Silva Sales
    79-90
    DOI: https://doi.org/10.22409/abriluff.v14i29.54718

  • The ways of looking in Fernando Namora’s work: resonances between literature, painting and cinema

    Karina Frez Cursino
    91-105
    DOI: https://doi.org/10.22409/abriluff.v14i29.54726

  • Learning to be (rep)aired: Saramago and lightness

    Gabriel Franklin
    107-118
    DOI: https://doi.org/10.22409/abriluff.v14i29.54835

  • Nameless city, faceless man: choices and strategies in the movie adaptation of The double

    Edson José Rodrigues Júnior
    119-141
    DOI: https://doi.org/10.22409/abriluff.v14i29.54724

  • The fine weaving of “various patches” in Tocata para dois clarins, by Mário Cláudio

    Mariana Caser da Costa
    143-158
    DOI: https://doi.org/10.22409/abriluff.v14i29.53362

  • The un-veiling of Alice in O fotógrafo e a rapariga, by Mário Cláudio

    Gabriel Dottling Dias
    159-171
    DOI: https://doi.org/10.22409/abriluff.v14i29.54605

Reviews

  • Women and the 19th century press: the case of Francisca Wood

    Fabio Mario da Silva
    175-178
    DOI: https://doi.org/10.22409/abriluff.v14i29.55184