Vol. 13 No. 27 (2021): Decolonizations: Residual Memories

Guest editors: Silvio Renato Jorge (UFF) and Margarida Calafate Ribeiro (Universidade de Coimbra)

2nd sem.: Jul.-Dez. 2021.
Issue date: Oct. 27, 2021.

DOI: https://doi.org/10.22409/abriluff.v13i27

Published: 2021-10-27

Introduction

Introduction

Silvio Renato Jorge, Margarida Calafate Ribeiro

9-13
- PDF (Português (Brasil))

Articles

Artistic gestures and postmemorial narratives: post-colonial interrogations in Portuguese

Margarida Calafate Ribeiro, Fátima da Cruz Rodrigues

17-43
- PDF (Português (Brasil))
Memory’s ransom: silences, postmemory, cinema

Paulo de Medeiros

45-60
- PDF
Housing in Mozambique – plurality in mozambican cinema

Kathrin Sartingen, Sophie Baltas

61-78
- PDF (Deutsch) (Português (Brasil))
Crystallizations of alien memories: the colonial war in Paulo Faria’s postmemory writing

Felipe Cammaert

79-94
- PDF (Português (Brasil))
“These lies, dear doctor, will become indisputable truths”: underground memories, violence and legitimacy in O anjo branco, by José Rodrigues dos Santos

Daniel Laks

95-108
- PDF (Português (Brasil))
The “inseparabilidade” of transits in the works of Djaimilia Pereira de Almeida

Roberta Guimarães Franco

109-124
- PDF (Português (Brasil))
Letters, solitude and voice for a post-memory: Maremoto of Djaimilia Pereira de Almeida

Sheila Khan

125-135
- PDF (Português (Brasil))
Dialogue between nature and a pirate: ecocriticism for a decolonial perspective in Djaimilia Pereira de Almeida’s A visão das plantas

Nicola Biasio

137-149
- PDF (Português (Brasil))
Caderno de memórias coloniais and Luanda, Lisboa, Paraíso: women tell the ruins of the empire

Rafaella Cristina Alves Teotônio

151-166
- PDF (Português (Brasil))
The stain as a contrast: Portugal versus its ex-colonies in Africa in the narratives of Isabela Figueiredo and Dulce Maria Cardoso

Larissa Fonseca e Silva, Eliana da Conceição Tolentino

167-180
- PDF (Português (Brasil))
The articulation of the past and the ethical key of testimony in “Caderno de memórias coloniais”, by Isabela Figueiredo

Rodrigo Cavelagna

181-196
- PDF (Português (Brasil))
Narrativity, memory and decolonization in the novel The return, by Dulce Maria Cardoso

Cláudia Maria de Souza Amorim, Suzana Costa da Silva

197-208
- PDF (Português (Brasil))

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About this issue

Equipe Editorial

1-8
- PDF (Português (Brasil))

Vol. 13 No. 27 (2021): Decolonizations: Residual Memories

Introduction

Introduction

Articles

Artistic gestures and postmemorial narratives: post-colonial interrogations in Portuguese

Memory’s ransom: silences, postmemory, cinema

Housing in Mozambique – plurality in mozambican cinema

Crystallizations of alien memories: the colonial war in Paulo Faria’s postmemory writing

“These lies, dear doctor, will become indisputable truths”: underground memories, violence and legitimacy in O anjo branco, by José Rodrigues dos Santos

The “inseparabilidade” of transits in the works of Djaimilia Pereira de Almeida

Letters, solitude and voice for a post-memory: Maremoto of Djaimilia Pereira de Almeida

Dialogue between nature and a pirate: ecocriticism for a decolonial perspective in Djaimilia Pereira de Almeida’s A visão das plantas

Caderno de memórias coloniais and Luanda, Lisboa, Paraíso: women tell the ruins of the empire

The stain as a contrast: Portugal versus its ex-colonies in Africa in the narratives of Isabela Figueiredo and Dulce Maria Cardoso

The articulation of the past and the ethical key of testimony in “Caderno de memórias coloniais”, by Isabela Figueiredo

Narrativity, memory and decolonization in the novel The return, by Dulce Maria Cardoso

Expediente

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