Published: 2026-08-10

Full Issue

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Editorial

Apresentação

Marina Cavalcanti Tedesco, Diego Chabalgoity
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DOI: https://doi.org/10.22409/58cze668

Entrevista

Dois filmes entre a redemocratização

conversa com Cacá Diegues

Rafael Garcia Madalen Eiras
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DOI: https://doi.org/10.22409/265xes72

Navegações - Artigos

Historical perspectives and new visions for the audiovisual sector fund: political statements and practices

discursos e práticas políticas

Lia Bahia, Felipe Lopes
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DOI: https://doi.org/10.22409/b12qdx43

Muito Prazer, Nelson Cavaquinho

An Rio de Janeiro's epiphany

Gabriel Philippini Ferreira Borges Silva
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DOI: https://doi.org/10.22409/9rj3s522

Voices and silences in Brazilian and British contemporary cinema

Fernando Morais
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DOI: https://doi.org/10.22409/2mhwdz29

The visual architecture of the film César Deve Morrer

an analysis of the cinematic creative process based on scenographic and representational structure

Ândrea Sulzbach
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DOI: https://doi.org/10.22409/25a0gw07

The Recomposition in Homem Comum by Carlos Nader

Ciro Lubliner
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DOI: https://doi.org/10.22409/z9xp3s89

“Tombstone Cinema” in Memória de Deus e o Diabo em Monte Santo e Cocorobó (1984): Agnaldo “Siri” Azevedo, the staging of impotence, and the crisis of New Latin American Cinema in the 1980s

Edevard Pinto França Junior
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DOI: https://doi.org/10.22409/8js7rs84

Sergei Eisenstein and Que Viva Mexico!

Arborescent Thinking

David Oubiña
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DOI: https://doi.org/10.22409/6svrfv98

Fear and Loathing in Reality

Convergences between Michael Moore's cinema and Gonzo journalism

Renato Guimarães Furtado
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DOI: https://doi.org/10.22409/9274s453

Special

Encyclopedia Cinemas in confrontation: short and medium-length films in response to the Brazilian military dictatorship (part 3: 1973-1976)

curtas e médias-metragens em resposta à ditadura militar brasileira

Reinaldo Cardenuto, Patrícia Machado, Cintya Ferreira
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DOI: https://doi.org/10.22409/7jk2z355