Vol. 15 No. 28 (2025): Edição 28 (inclui dossiê "Hip - Hop no Brasil: a produção de sentidos e as transformações da cultura")

Entrevistas

• On continuities and discontinuities in Hip-Hop culture the case of Mozambique. Interview with Simba Sítoi, Mozambican Hip-Hop artist

  305-320

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.67367

• Edição 28 - Capa, sumário e editorial

  1-13

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  DOI: https://doi.org/10.22409/ya0s4r54

Dossiê 28: Hip-Hop no Brasil: a produção de sentidos e as transformações da cult

• Hip-Hop in Brazil the production of meanings and the transformations of culture

  William de Goes Ribeiro, Rosenverck Estrela Santos, Flávio Soares Alves

  14-27

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.67366

• Their experience in Hip Hop an analysis of communication and resistance in the Santa Bárbara’s Sound Battle

  Thífani Postali, Giovanna Hellen Meira Silva

  28-47

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.65548

• A Rap Battles as a tool in Urban Participatory Management a case in Campos dos Goytacazes/RJ

  Carla Aparecida da Silva Ribeiro, Aline Couto da Costa, Simonne Teixeira

  48-72

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.65553

• The improvised rhyme battles of the hip-hop movement in Cimba Park, in Araguaína-TO literacy practices of re-existence of peripheral youth

  Leomar Alves de Sousa, Eliane Cristina Testa

  73-96

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.65565

• Slam Xamego ove as resistance in the Hip-Hop of Espírito Santo

  João Otávio Vieira Carvalho Almeida, Lara Brum de Calais

  97-122

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.65114

• Hip-Hop in the firing line 1990s Rap and the aesthetic denunciation of necropolitics

  Róbson Peres da Rocha, Enio Passiani

  123-147

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.65176

• Racionais MC’s and freedom of expression a X Ray of Brazil and the exposure of coloniality

  Lucas Vinicius Ribeiro dos Anjos, José Roberto da Silva Rodrigues

  148-164

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.65563

• (Re)construction of ethos and black identity in two songs from the album Ladrão, by Djonga

  Leandro Moura, Benedicto Roberto Alves Carlos

  165-184

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.65326

• Rhymes of resistance political ideas in the rap of Preta Lu

  Antônio Ailton Penha Ribeiro, Victor de Oliveira Pinto Coelho

  185-210

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.65561

• "O nordeste que você não viu" notes on Hip Hop and Identities amidst anti-blackness in the Afro Capital

  Gabriela Costa Lima, Gustavo Rossi

  211-233

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.65546

• "We don't just want money, We want money, fun and art" thinking about possibilities for an alternative creative economy through the experiences of the Hip-Hop movement in Florianópolis

  Alice Hübner Franz, Eloise Helena Livramento Dellagnelo

  234-259

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.65571

• Screams on the margin the discursive revolt present in Hip-Hop and the political imagination as a beacon

  Renan da Silva Palácios, Jenniffer Simpson dos Santos

  260-281

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.65562

• Between the Biographical and the Collective Fabulating Around Hip-Hop in the Documentary AmarElo: é tudo pra ontem

  Caio Barbosa do Nascimento, Rosane Sampaio

  282-304

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  DOI: https://doi.org/10.22409/pragmatizes.v15i28.65564